“Cultish slacker cool isn’t something you can work to achieve - you have it or you don’t - and Fleischer is angling for it just a tad too hard. “Hardened genre fans (those who aren’t laughing) may feel short-changed by the film’s loose approach to horror convention – it’s more of a droll B-picture like Tremors than, say, Romero’s ‘Dead’ films – but there is plenty of gizzard-chomping mayhem to see them through the brisk runtime.” Time Out It’s a damn fine movie, period.” Time Magazine Edgar Wright and Simon Pegg set a high bar for this subgenre with Shaun of the Dead, but Reese, Wernick and Fleischer may have trumped them. “Except for a therapeutic-trashing-of-a-tchotchke-store scene the movie could have done without, Zombieland is an exhilarating ride, start to finish. The foursome hauls up at Murray’s vast Beverly Hills mansion More than that I will not say, except that not many zombie comedies can make me think simultaneously about Psycho and Garfield.” Roger Ebert “The filmmakers show invention and well-tuned comic timing, and above all, there’s a cameo by Bill Murray that gets the single biggest laugh I’ve heard this year.

I’m beyond ecstatic that Zombieland looks this damn good, and while not perfect, it’s sure to impress and satiate fans.” High-Def Digest The only concerns I had was a few moments with light aliasing, and a recurring orange tone in skin tones, though it wasn’t all that frequent. These disabilities have equipped him with the neurotically alert caution now needed to stay alive: he may have been a bit of a zombie before the apocalypse, but now his humanity has triumphed.” The Guardian It does however offer a nice line on Columbus’s emotional frigidity and irrational fear of social contact.

“Traditionally, zombie films are valued for their satirical qualities, but this one doesn’t aspire to any commentary on our undead commercial society.

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